Ihor: Micro Realism Tattoos in Vienna
Before Ihor tattooed, he drew. With pencil, charcoal and ink, and for long enough that it turned into a career. Five years as an illustrator sit behind what now goes onto skin: light, shadow, proportion and detail.

Soft grey values, subjects from art history and an eye trained by drawing
Before Ihor started tattooing, he spent years drawing. Pencil, charcoal and ink were his tools, and illustration eventually became his profession.
Those five years as an illustrator still shape the way he works today. Light, shadow, proportion and detail all play a part in his tattoos. As a resident artist at True Canvas, he specializes in black and grey micro realism, creating pieces that read like a photograph from half a meter away and like a drawing from twenty centimeters.

From drawing to tattooing
Tattoos had fascinated Ihor for a long time. He was drawn to the idea of art that becomes part of a person and moves with them through life.
Then he saw a full sleeve in realism, and something clicked. He wanted to take what he had learned on paper and bring it onto skin.

Why realism works differently on skin
Skin is never a completely flat surface. It moves, stretches and follows the natural curves of the body. No two bodies are the same, so a design needs to work with those shapes rather than against them.
With realism, there is more to consider than the finished image. The artist needs to think about how the tattoo will heal, how its contrast will hold up over time and how the composition follows the body. A design might look beautiful on paper, but it also needs to remain clear and recognizable as the years go by.
We explore how aftercare, sun exposure and changes in the skin affect tattoos over time in our article on how tattoos age.

Black and grey: every transition matters
Ihor chose to specialize in black and grey micro realism because it draws directly on the skills he developed as an illustrator: subtle shading, depth, contrast and fine detail.
Without color, the smallest changes in tone make a difference. Light and shadow have to do all the work of creating depth, and each transition needs to feel right. That level of precision is part of what he enjoys about the style.

Statues, objects and animals
Many of Ihor's subjects come from art history or the world around us. He works with ancient columns, sculptures, old instruments and tools, as well as animals and natural forms.
What these subjects have in common is their texture. Marble, metal, fur and chitin all reflect light differently, and each calls for its own approach to shading. This is where his background in drawing really comes into its own.


If you're thinking of a painting rather than a sculpture, the approach is a little different. We explain more in our article on art replicas as tattoos. Max works in this area.

Size and detail go hand in hand
Micro realism doesn't simply mean making a tattoo small. It's about finding a size at which the details still work together and the image remains recognizable.
The reference plays a big part in that. A sharp photograph with clear lighting can often be adapted to a smaller size, while a blurry image leaves less to work with. There are limits, too: make a design too small, and the details that give it character can disappear, no matter how carefully it's tattooed.
That's why it's worth discussing size before settling on a design. Sometimes, going a centimeter or two larger makes all the difference.


Tattoos with Ihor
Ihor is particularly suited to sculptures and art historical references, objects with interesting textures, and animals or nature-inspired designs in black and grey.
When you enquire, it helps to share your idea, a clear reference image, the placement you're considering and an approximate size.
Planning your first tattoo? Our page on your first tattoo walks you through the process. You can also explore the other styles we work in through our overview of tattoo styles.
You can find more of Ihor's work on Instagram. To meet the rest of the team, visit our artists. We also regularly welcome international guest artists to Vienna.
Have an idea in mind? Send us your concept, reference images and preferred placement through our inquiry form.